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In 2013 he was commissioned to make a monumental installation for the Piazza Santa Croce in Florence, where he used blocks of marble and bronze sculptures for a large temporary project (263 x 164 ft), creating a sort of enormous cross in which the public could move freely.Even though it is becoming difficult to list all his exhibitions and publications, what is important is the care with which Paladino achieves his artistic mission in the allotted space, as can be seen in his latest creation for the 55th Venice Biennale in 2015.The aim was clearly a return to painting, as the principal place of narration.This was not to recapture the aspirations of the fifties and sixties, which in Italy reflected a painting tradition linked to pre-war artistic research, but rather to make a break with the influences that repudiated painting in the strictest sense, on which he intervened with a series of circular linguistic and semiotic interactions.These creations, which had a mysterious, “alchemical” air about them, emerged like apparitions, as constant epiphanies.This is an aspect that I find constantly in the work of this artist, who in 1994 was the first Italian to exhibit in the Forbidden City in Beijing.

He now lives in Rome and Milan, but still has a studio in the little town near Benevento.The new millennium, as well as bringing a large number of exhibitions in which he was the protagonist or a guest, also brought the use of video.In 2006 Paladino made his short feature film Quijote, devoted to the work by Cervantes.In 2016 He creates a large-scale exhibition for Frederik Meijer Gardens & Sculpture Park in Grand Rapids (MI), USA and a retrospective show at Galleria Stein, Milano (F. Antonucci, Mimmo Paladino, Frederik Mejier Gardens & Sculpture Park, 2016) Mimmo Paladino is married to Imma, and has one daughter, Ginestra, and three grandchildren, Ettore, Leandro and Pietro.1948 Born 18 December in Paduli, near Benevento, east of Naples 1964 Visits the Venice Biennale where the work of Robert Rauschenberg in the American Pavilion makes a strong impression, revealing to him the ‘reality of art’ 1968 Completes his studies at the Liceo artistico di Benevento and within a year has participated in a group show in Naples.

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